The allegations of rape and sexual assault in this documentary about the Channel 4 series are hugely troubling and revealing. Surely this is the end for MAFS?

Well. My goodness. Allegations of rape and sexual assault have arisen from a reality show built around the conceit of strangers “marrying” each other at first sight, then cohabiting in the full expectation that “marital” relations will ensue – and if not, they will be quizzed by a panel of “experts” as to why not. All this, and under the pressures of filming and the medium’s insatiable appetite for emotional drama and conflict, plus manufactured situations such as group dinner parties to encourage any grievances to burst into flames on top of that? The only possible true surprise here, surely, is that this hasn’t happened before.

Panorama’s latest exposé, The Dark Side of Married at First Sight, is presented by Noor Nanji, who has previously worked on investigations into the allegations of various forms of sexual and other misconduct behind the scenes at the BBC hits Strictly Come Dancing and MasterChef. This time, the focus is on allegations by three former “wives” who appeared on Channel 4’s wildly popular show (10 series and – at least until now – counting), known by fans as MAFS, or MAFS UK to distinguish it from the international editions that have developed since the original Danish version in 2013.

Ten years after the referendum, its role as domestic football is still the order of the day – and the ex-health secretary is happy to use it in his leadership bid

• Anand Menon is director of The UK in a Changing Europe

Brexit, it seems, is back. Or at least back within the Labour party. Wes wants to be back in (at some point). Andy once said there’s a case, but seems to have changed his mind. Nigel, meanwhile, warns of betrayal.

On one hand, this is all terribly predictable. Winning any Labour leadership race was never going to be possible without staking out a clear and ambitious position on the EU. Most Labour members are remain backers who regret leaving Europe. Even before the beginning of a formal contest, we were always going to see those vying for the top job try to outbid each other.

Conflict, mistrust and delayed detection could complicate response to emergency caused by Bundibugyo variant

To be around the centre of an Ebola outbreak is to become used to the smell of chlorine. At hospitals and government buildings, surfaces are sprayed with it and hands washed in a 0.05% solution that can kill the virus in 60 seconds.

Infrared handheld thermometers take temperatures at airports and border crossings. Any indication of a fever prevents passage. Contact-tracing teams crisscross the countryside.

Emin’s unsparing examination of her cancer and Kahlo’s intensely imagined response to traumatic injury moved our writer to take self-portraits while recovering from a serious operation

In a photographic self-portrait taken not long after she was diagnosed with squamous cell bladder cancer in 2020, Tracey Emin’s iPhone shrouds her right breast as our line of vision descends from her catheter to her urostomy bag to her disposable knickers. Her body is fragile here in this hospital mirror, yet her gaze is anything but. It looks us dead in the eye as if to say: I matter, this matters – a sureness that challenges the notion of subjugation in times of ill-health.

Even now, six years after her life-saving surgery, Emin refuses to conform to what may, or may not, make us feel comfortable when it comes to her post-operative body. As well as losing her bladder, Emin also lost her uterus, ovaries, lymph nodes, part of her colon, her urethra and part of her vagina. And yet she has found a striking autonomy in documenting the changes in her body. “This is mine, I own it,” she affirmed in an interview not long after her surgery.

As the razor-sharp lawyer in the 90s hit drama, Nardini’s character epitomised the work-hard, play-hard attitudes of the era. But after going through cancer, divorce and bereavement, the actor decided to retrain

Almost 30 years ago, not long after the final episode of This Life, the BBC series that launched Daniela Nardini’s career, I interviewed her at a swanky hotel in Covent Garden, London. I had expected her to be exactly like her This Life character, Anna Forbes, the provocatively sharp and messy woman now being credited by critics as the prototype for Fleabag. She did not disappoint. My memory of that encounter remains vivid: a giddy hour covering love, ambition, sex and fame. She wore a pink lily in her hair, and wine might have been consumed.

Nardini now lives and works as a therapist in the West End of Glasgow. As I stroll through the tenement-lined streets to interview her, there are other reasons I’m ruminating on the past. In the short walk from the subway, I pass my first home, my nursery and my primary school (now inevitably repurposed as luxury flats). I am getting timewarp vibes at every turn, but the sensation evaporates when Nardini comes to the door. The woman on the threshold has a very different demeanour from the one inhabiting my memory. She remains striking, with the same soft, dark gaze. But what is most compelling is her unsmiling stillness.

Data lays bare the extent and geographical spread of attacks in Africa’s most populous country

Data from Acled and the Global Terrorism Index shows that after a few years of improvement, insecurity in Nigeria has worsened. With general elections less than a year away, the crisis has come under increasing scrutiny – both abroad and at home.

Experts say the primary long-term driver of insecurity is a governance vacuum across much of the country. On paper Nigeria is a federation comprising 36 states and 774 local government council areas, but in practice power is heavily centralised at the federal level. Resources trickle down to states in limited quantities and are distributed in far smaller amounts to local government councils, largely at the discretion of governors.

Transport secretary Heidi Alexander blames Conservative government for ‘obscene increase in times and costs’

• Business live – latest updates

The HS2 high-speed railway will now cost up to £102.7bn and trains will not start running between London and Birmingham until as late as 2039, the government has admitted – £70bn more and 13 years later than originally promised.

The transport secretary, Heidi Alexander, said that the truncated railway would not be entirely completed until as late as 2043.

Darren Jones says release will be ‘one of the largest government publications ever laid in this house’

On Friday parliament’s intelligence and security committee issued a damning statement about the government’s response to the humble address requiring the release of documents relating to the appointment of Peter Mandelson as ambassador to the US. It said the government was not fully complying with what is in effect an instruction from the Commons. For good measure, the committee also accuses the government of not keeping proper record of its decisions and of doing far too much business by WhatsApp. Here is our story, by Henry Dyer and Paul Lewis.

At 12.30pm Jeremy Wright, deputy chair of the committee and a former Tory attorney general, will ask a Commons urgent question about this. He is asking Darren Jones, the chief secretary to the PM, to reply.

Scotland Yard to send files to CPS with ‘strong evidence’ of potential wrongdoing – but any trials could be years away

Scotland Yard has said it hopes to bring criminal charges against 77 companies and individuals for the 2017 Grenfell Tower fire, in which 72 people died.

The lead investigator, Garry Moncrieff, said his team of 220 detectives had gathered “strong evidence” of potential wrongdoing.

Alex Mahon backs investigations into MAFS UK as Channel 4 removes all seasons of show from streaming platform

Rape allegations made by women who appeared on Married at First Sight (MAFS) UK are “very serious and concerning”, a former Channel 4 chief executive has said.

Alex Mahon said launching an investigation was “the right thing” to do and the seriousness of the allegations meant current protocols around ensuring reality TV programmes met their duty of care to participants would need to be reviewed to ensure “enough is being done”.